Whimsical Victory Rolls x Two

I love 40s hair especially victory rolls. I also love a Split Complementary Color Scheme of lime green, red and purple. These two ideas are on my favorite quilt "Victory Rolls" which is also my business card. 
I made these two 12" square quilts as auction quilts for two national charities-Studio Arts Quilt Associates and National Quilting Association. 
I used my original pattern Angelina, which I use in my Intro to Portrait Classes, and created a hairstyle with 1940s victory rolls. I used the leftover floral print from the original quilt for the dress fabric. The dress received a 1940s shoulder pad silhouette and a sweetheart neckline.
I did not use green skin because these are not for me and I thought they were more "auction-able" if they were traditional skin tones. I used the lime green in the binding.
 This hairstyle did not lead itself to an easy shape/silhouette like many of the others I have created that are in the pattern or the "bonus" hair my students receive when they take my class. I used a lighter purple fabric paint to add highlights to the pincurls and a dark purple paint for the insides of the curls to create depth. I accomplished this idea with the original quilt but with four values of fabric. These quilts were meant to be simpler so I painted the values which was fun and successful. 
I embellished with red rhinestones in the background, two colors of glitter nail polish on the eyes, red glitter nail polish on the mouth and a felt, wooden and plastic button for a flower hair accessory. I added a bit of cosmetic blush to the cheeks, chin and forehead for fun!

Time to mail them to their proper destinations!
Here is the original Victory Rolls Quilt which has won a few ribbons at quilt shows and was in the Sacred Threads Quilt Show in 2013 and their featured book "Sacred Threads Exhibition 2013."

2013 Sacred Threads Quilt Exhibit Acceptance

I entered the 2013 Sacred Threads Quilt Contest which is in July in Virigina. It is an exhibit which has spiritual themes of healing, joy, peace/brotherhood, grief and others. I had a quilt in the exhibit in 2011 (the show is on the odd year) and I entered the maximum 2 quilts. The first is the quilt above titled "My Friend is Bipolar" which was intended for the SAQA Exhibit last year called "I'm Not Crazy!" (not so great of a title in my opinion.) I poured heart and soul into this quilt because people in my life that are very close to me are bipolar. This quilt represented my view of living with people who are Bipolar. I was quite bummed when it did not make the cut. When this exhibit call to entry came around I selected the "grief" category and it was juried into the show!! Their website is www.sacredthreadsquilts.com
The woman on the left represents the "manic" side of the personality disorder-very grandiose, over the edge, frantic, excessive, hyper etc. She is not easy for me to look at because she screams irratic!!

The woman on the right represents the "depressed" side of being bipolar-stressed, low self esteem, gloomy, pessimistic etc. I feel I have captured her pain.
 
The colors I have chosen for each side of the Bipolar Disorder is also representational. The clothing, the hair, the jewelry etc. all reflect this.

My quilt "Victory Rolls" is near and dear to my heart because it is a perfect representation of me- the hairdresser, fashionista and lover of bright colors, flowers and embellishments. Therefore I put it in the "joy" category and it was also accepted into this exhibit!!

I went on a limb and gave my 1940s woman green skin because I love lime and chartruese!!
 
 

Victory Rolls

This is my latest quilt. I have been inspired by all the many hairstyle images on Pinterest. I love the 1940s fashions and hairstyles and there have been plenty of pictures of "victory rolls" and various pin curls and I wanted to do a quilt representing these ideas. When I went to Florida in January I found the large scale print, the dress print, the red wavy stripe and the purple tone on tone dot fabric and suddenly became inspired because I love flowers and I loved the "weird" yellowy lime green. So between the fabrics and my love of the 1940s this is what I came up with. The hair is my favorite part of the quilt and the most challenging. I was looking at images of curls and how the light reflects in certain areas and the shadows are in the depth of the hair and the pin curls. But how to translate that into fabric. I thought if I was doing this as a painting how would I approach it?? I began with the tone on tone dot fabric and had one big piece the size of the entire hair. then I visually sectioned off the highlighted (lighter) areas, the darker areas and the shadows or deepest and farthest away areas. I assigned 3 fabrics to each area and layered and fused them to the base purple fabric. I used a purple fabric marker to define the lines and then when I quilted it I defined it some more and I was satisfied with the victory rolls-it has definition and movement. I could have used fabric paint as a last resort if I wasn't getting the results from the fabric alone but I didn't need it. I have a paper doll book of 1940s fashions which helps me select the right clothing for my lady in the quilt. I didn't go nuts with jewelry just a simple earring make from a flower button and a few beads. The flowers in her hair are cut from leftovers from the large scale border fabric. Fortunately they were mirror images and I fused them back to back, tacked them down and glued a rhinestone to the center. There are a few red rhinestones in the background and a bit of fabric paint on her face for details on the eyes and mouth. She ended up looking a little like Lisa Marie Presley or Bette Midler isn the 1970s!.  I did contrasting quilting in certain areas-the striped background got circular quilting and the curvey floral of the outside border got striped stitching. I will enter it in upcoming quilt shows.

The second photo is a close up and a follow up of my last post to show the progression of the face as I begin the drawing, the fused applique, the quilting and the details.